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Voiceover Equipment #3 – The Right Voiceover Software

May 17, 2022 by Leah Arscott

An essential component for setting up your business is considering which software you will use to record or edit your voiceover projects. You can purchase a state-of-the-art microphone and have a quiet space to record but consider which voiceover software program will capture vocal quality and perform day-to-day editing. Whether you work in commercials, narration, animation, IVR, Promo, or eLearning, an excellent digital audio workstation or DAW will help you get the job done quickly and accurately. 

As a diverse millennial voice actor, I was interested in learning the technology involved in starting a voiceover business. Although I love technology and all the bells and whistles that good software can provide, it can be daunting to learn a new tool. Especially when your inbox is flooded with auditions, you’re marketing yourself, and your time is limited.

How I Decided on My Voiceover Software

Software is one of the things I didn’t research. I purchased all hardware, set up my studio, and explored casting websites that I wanted to join. I had no drive to choose software, and I wanted to hit the ground running and start to book the jobs. I wish I had researched this when I look back on how I got started as a voice over actor.

My Digital Audio Workstation (DAW) of Choice

My husband had a MAC Computer, and he mentioned to me that we had a program called Logic Pro X, and that was the one I should probably use. He noted that his brother would use our computer now and again when he came over on the weekend and liked to make beats, so that’s the program he would use, and he figured it would be advanced enough for me. I had no idea how to use it, but he slowly but surely showed me how. I used Logic Pro X for about a year and a half with no real training on how it should be used. I searched the web high and low for tutorials but with little success. Most of the YouTube videos I found were geared toward music production and how to change the sound for instruments, and little was mentioned about straight voice over. 

Luckily, my two fellow Canadian voice over friends, Christi F. and Dalal S., also used Logic Pro X, so we chatted now and again and asked questions about how we used the program. Now to this day, those conversations were the best training source that I had on how to use the program. If anyone who reads this knows of an actual Logic Pro X course that we could take, please let us know. 

The Right Tool for Each Job

I should mention that I also contacted George Whittam, a top sound engineer from Los Angeles, to assist me with my overall sound. I told him I used Logic Pro X, and he was surprised. He asked why I used it and I said that it was already on our computer and figured it would be the easiest choice. He mentioned that for voice over, it was “like bringing a tank to a knife fight.” It was a massive software package for a simple job like voice over, and wasn’t necessary. But once I showed him what it could do, he agreed it was a good choice and referred me to use specific plug-ins to enhance my sound.

After working in voice over for a reasonable length of time, I now discovered that Adobe Audition was the most popular DAW, and I realized that I did have that on my computer. I decided to try it for a week as a trial to see how it compares to Logic Pro X but to be honest, when you are so familiar with and use a tool daily, and it’s tough to re-learn a new program. For that reason, I decided to continue with the tool that I was most comfortable using. Adobe now has a monthly subscription cost that I was not willing to pay, especially when I remember a time when it was a single buyout price.

When to Use Plug-Ins with Voiceover Software

It’s important to note that if you are recording in a beautifully top-quality sound-treated room, the effects you will use on the DAW will be limited. The better your recording space, the less you will use on your DAW. I used quite a few plug-ins when I began my career because I was recording in a lightly-treated bedroom closet, and I had to adjust and tune the sound to sound like I was recording in a professional Los Angeles studio. Now that I have upgraded my recording space, I use more minor sound effects and plug-ins. My good friend, who has the best recording space and top-tier microphone, uses virtually nothing on her voice and delivers raw audio, almost completely eliminating any plug-ins.

Because we are living in a digital age and have such diverse tastes, there are quite a few DAWs on the market. Below, I will review some of the most popular DAWs available today, and as time goes on I’m sure there will be many more to come!

Audacity – Free

Audacity is a free voiceover recording software! I remember using this in college to record an assignment for my class to hear. I had zero VO experience back then, but it was user-friendly and only took me a couple of minutes to learn. It’s press record and speak!

  • Equalization
  • Compression
  • Mono vs. stereo
  • De-Esser
  • De-Clicker

For a simple beginner voice over, this is a good choice. If I needed to do quick editing for a general project, this DAW would be my choice, and it’s low risk and high reward.

Garageband – Free

Available for Mac computers only, Garageband works for music production and audio recording and editing. There are two versions available – free (great for low budgets)  and a paid version. It contains an extensive sound library and is a popular choice for podcasters.

Adobe Audition – USD 20.99 Monthly

Part of the Adobe Creative Suite, this is the most popular voice over DAW software for voice actors. Many of my voice actor friends, both young and old, use this. It contains several effects and a thermal spectrum view that many find user-friendly. I remember when this software used to be a full buyout price, but now it has moved to a subscription price of USD 20.99 monthly, which I find unnecessary and refuse to pay.

Logic Pro X – USD 279  

A pricer software, Logic Pro X is considered a high-quality recording software. It contains many plug-in options for music production and voice over and includes an entire library of sounds and instruments, and I have made background music for my demos. Although designed for music production, it works wonderfully for voice over.

Pro Tools – USD 299 Annually

This software is the industry standard for music production and voice recording. Beyonce, Sir Paul Mc Cartney, and Coldplay use it. It is a lot for the simple act of recording voice, but many voice actors love to use it. 

Reaper – USD 60 for a Discounted Licence –  USD 225 for Commercial License

Reaper is a new up-and-coming, fully customizable software favorite for voice actors. They claim it is user-friendly, fast, and crashes less than most recording software. I have heard great things about reaper, and many tech-savvy voice actors are slowly switching over to this software with rave reviews.

Which Voiceover Software is Best?

After a brief overview of the top-rated DAWs for voiceovers, which is the best? That comes down to your ability to learn all that the program offers, your requirements, and your budget. If you’re a singer and need to record vocals and instruments, you may pick a DAW suited for music production. If you just need to record a single-track voice-over, you may choose another DAW. For me, Logix Pro X is advanced for what I do daily, but it allows me creative freedom when I need it, and I am happy with all it has to offer.

Filed Under: Blog, Voice Over Business

Voiceover Equipment #2b – Recording Studio – Voice Over Booth Recommendations

May 10, 2022 by Leah Arscott

As discussed in the last article, where you record your voice over can make a big difference in your booking rate and your ability to be seen as a professional. Whether you are a newbie or a seasoned pro, recording your commercials, narrations, or animation jobs in a noisy space can frustrate your clients and editors, and they may not hire you again. It is essential to have no interferences within your recordings, and so, therefore, a voiceover booth is key to your success. 

I began my voice over career recording in a closet within my home, and it served me well for the first three years of my career. I recorded thousands of auditions and hundreds of jobs in that closet, and although it was not pretty and quite stuffy, it got the job done. I landed commercials on network TV and hundreds of explainer videos for international fortune 500 companies.

Quality Voiceover Booth Choices

Eventually, I decided to upgrade my booth to a more professional look and feel, and I’m happy that I did. The booth I have now (Vocal Booth to Go) works very well for my day-to-day work. It diffuses noise, absorbs sound, and is not too stuffy, which smaller booths tend to be. Although it is not the most expensive booth on my market, one would never know. When deciding to purchase my booth of choice, the Vocal Booth to Go, I did quite a bit of research online to learn about the various options available today. These are some of the most popular and highly-rated booths available.

Vocal Booth 2 Go

This booth is cost-effective, portable, travel-friendly, and durable. It’s a portable walk-in studio that allows you to have an immediate acoustically treated room anywhere. This is an excellent option for a permanent booth at home and on the road. The set-up time was relatively quick, and in no time, you could be recording professional sounding Voice over for your clients. The booth comes with a PVC frame, moving blanket walls, and a LED light within a large duffle bag. Available in multiple dimensions. The Vocal Booth to Go interior is in the color white, which aids in providing me a lot of energy and vitality throughout my day.

  • Price: $955 USD+
  • Made in the USA
  • -10 dB reduction
  • Under 50 Lbs

Tri-Booth

Cost-effective, portable, travel-friendly, and durable. Ideal for voice actors or recording artists who require an affordable professional home/mobile studio anytime. Set up time is relatively quick. The booth comes with a PVC frame, moving blanket walls, a stand, and an LED light within a duffle bag or hard-shell case. Available in three dimensions  – standard, short or tall. The interior color is white.

  • Price: USD 1500
  • Made in the USA
  • Under 50 lbs

Whisper Room Voiceover Booth

Though this booth is at a higher price tag, this is a trendy choice for voice actors. This is considered a professional-grade voice over booth and can stand the test of time. This booth comes with the frame, walls, a ventilation system (add-on), door, cable passages, acoustic foam, LED light, and a remote switch. Available in many dimensions, you choose and can also choose from colored acoustic foam. 

  • Price: USD 4275+
  • Made in the USA
  • -30 dB reduction

Bear Cave Silent Booths

This booth is a professional-grade option and would sit permanently within your space. The basic models are the only booths that use 1-inch MDF for their walls, and their single wall unit is roomier than most. Their double-wall units are the only ones on the market that use an innovative material called Sonopan, which is specifically used for soundproofing.

  • Price: USD 3878+
  • Made in Canada
  • Single Wall Booth  -25-30 dB reduction
  • Double Wall Booth -40-45 dB reduction

Studio Bricks

If you’re looking for a higher-end vocal booth, look no further than the famous Studio Bricks. It is the booth that accomplished voice actors possess. The overall visual appearance of Studio Bricks is very appealing. It dons a white sleek, futuristic look, all done with professional-grade materials. The interior studio foam comes with a recognizable cube design. The booth comes as a frame, and all other materials are not included in the basic price. Multiple color options of the exterior and interior studio foam are also available. Despite its high-quality design, it’s pretty durable if you decide to move the booth’s location into a different room of your home, your office, or move entirely.

  • Price: USD 4500
  • Made in Spain
  • -46 dB reduction

Which Voiceover Booth is Best?

All of the booths mentioned are professional-grade and highly acclaimed. Suppose money was no object. I know which booth I would be getting. I would list the Whisper Room, Bear-Cave booth, and Studio Bricks to be similar in functionality. They are a more permanent structure and are all very quiet rooms regarding noise reduction. All three brands also come with many add on’s, such as HEPA filters, Bass Traps, Desks, wall windows, etc., to perfect your recording space. My booth of choice would be the Studio Bricks, not only because of the design and low dBs but also because I love the overall aesthetics. It is a thing of beauty, as well you can choose your studio foam color, and I love the idea of a lighter, brighter booth to give me energy throughout my day.

As a diverse millennial voice actor, my Vocal Booth to Go will serve me well for years. I would love to be a digital nomad traveling with my portable booth. And when I am ready to upgrade for my home, the Studio Bricks would be at the top of my wish list! 

Filed Under: Blog, Voice Over Business

Voiceover Equipment #2 – The Recording Studio Basics

May 3, 2022 by Leah Arscott

If you are interested in pursuing a career in the industry, a voiceover recording studio is more important than purchasing any single piece of equipment. You may have a fantastic voice that can read many genres, including corporate narration, commercial, eLearning, or animation. However, even if you have a superb microphone, you can have many background noises bleeding into your recording if you don’t have a quiet space. 

Noises such as cars or airplanes passing by, your family walking around the home, or the sound of your air conditioner running will be distracting to the listener. Additionally, you may increase the risk of your clients being unhappy with the final product. There is a lot of buzz online within the community about this topic, so let’s chat about what you need to know to create your own voiceover recording studio.

The Ideal Space

A professional recording studio is the best space to record your voice over. The top choices are professional studios with a custom booth, a sound engineer on hand, and tens of thousands of dollars worth of equipment. Some voice actors rent out professional studios and perform their jobs there, but that isn’t a sustainable option.

Evolution of the Voiceover Recording Studio

In the past, voice actors led their careers relying on recording in professional studios. They would receive their auditions from their agent, audition time and date, and drive to the studio to record their audition. If selected, the talent would return to that studio or another to do the final recording. The audio quality would be excellent, but time, energy, and money were required to work this way. Living in the digital age, voice actors have moved their studios into their homes. Up to the year 2020, only about half of the voice actors had home studios. Once the pandemic hit, voice actors were forced to acquire a home studio as quickly as possible if they wanted to continue working.

My First Recording Booth – The Closet

Luckily, I had already had a booth set up. That was one of the main reasons I considered voice acting, the fact that I could do it from home. The word “booth” is interesting because my first recording space was actually a closet within my house. I did much research when starting in voice over, and many online stated that the most cost-effective option was to use an existing closet within your home and retrofit it into a working voice over booth. So as the millennial in me, that is what I did.

You want it to be quiet in any recording space with no noise bleeding through and no echoes. Otherwise, you get a boxy sound—vocal isolation and sound absorption, not complete soundproofing. When your recording is acoustically treated with the right equipment, your recording will sound crisp, clear, and professional. This will make the editing much more manageable.

Building From Scratch

I emptied a closet, purchased some studio foam from Amazon, and started nailing in each 12” x 12” piece until I covered most of the walls. I also bought a moving blanket from Amazon to cover up the closet’s back wall. Moving blankets are a cheap and effective way to dampen noise and reverberation.  Once that was complete, I added a carpet to the floor. Next, I added my microphone and a music stand and went to work. It took a few weeks of trial and error to get the best sound to my ear. 

After many months of still doubting my sound, I decided to hire George Whittam, one of Hollywood’s top sound engineers, to check my sound quality. I sent him a few raw (unedited) recordings, and within 45 minutes, he had my sound in tip-top shape. If I could do it again, I would have hired him months earlier to give me the utmost confidence when I recorded every audition and went into each live-directed session. Nevertheless, he said my booth sounded great but needed minor adjustments within my editing software. 

Your Voiceover Recording Studio Doesn’t Have to Be Beautiful

That first booth was not a pretty sight. It was pretty unappealing to the eye. The colors were orange and black (not my favs), and it was dark, small, and stuffy. I had to keep open the door frequently during long live-directed recording sessions because the temperature rose quickly there. It was a place I did not to be all day. I felt it was a tomb!

Though that closet was a sight for sore eyes, it was pretty profitable for me. I was able to record thousands of auditions, work with hundreds of international clients, and it allowed me to leave my regular full-time job and pursue voice acting as a real career. I also recorded commercials seen on network television there. It’s funny when I think about it. One would never know that I recorded that in a dingy closet from my home. I think only five clients have ever asked me where I record. My reply was “a professional studio as approved by a top Los Angeles sound engineer.” That was all they needed to hear, and I got the job. 🙂

My Voiceover Studio Version 2.0

Eventually, I decided it was time for an upgrade. So after a lot of research, now I have a portable voice over booth. I did much research online to find something within my budget that would still allow me to record good quality broadcast voice over, and my priority was to find a booth that was comfortable to stay in during long sessions and not overheat.

More voiceover booths are available on the market than ever before as the digital landscape has evolved. I settled on a Vocal Booth to Go, a portable unit initially designed for the artist on the go. But, it works as my main booth. I purchased the 4×4 booth and placed it in a walk-in closet within my home. I nailed up two moving blankets onto the left and right walls of the closet to dampen the noise. Then I added my studio foam from my old closet to the back wall and placed the 4×4 booth inside. So, in effect, I have a booth within a booth 🙂 It’s a little hack that works quite well. 

The last time I checked, my dB was -55, which is pretty good. I love the Vocal Booth because it’s a PVC frame with moving blankets as the “walls.”  The color is white, which is light, bright, and refreshing. My old booth was quite dark and felt like a tomb. This new space is much bigger and gives me room to move my arms and legs, which is especially necessary for animation work and leaves me with energy at the end of my day. I also now have room for a desk, chair, and a monitor to do my daily work.

Your Voiceover Recording Studio is Up To You

Whether you are a diverse voice talent or a niche specialist, your recording studio can be customized to your needs. It would be unreasonable to assume that every voice talent has spent thousands of dollars on their booths because it doesn’t matter what it looks like. It’s about how it sounds and feels to you, the talent. 

The next article will discuss some of the top-rated voice over sound booths available today.

Filed Under: Blog, Voice Over Business

Voiceover Equipment #1 Preamps and Headphones

April 20, 2022 by Leah Arscott

Suppose you are interested in making voice over a career. In that case, it’s very important to purchase the right equipment to give you a leg up and remain competitive against thousands of other actors. While raw talent, training, and business sense are essential factors to success, your voiceover equipment can also play a significant role.

Using inexpensive equipment can be acceptable at the very outset of your career. However, to make considerable strides in booking big-budget jobs and ongoing projects, good quality equipment can make a difference in your business. We’ve talked about how to choose a microphone and the factors to look for. Now, we will look at two more important pieces of equipment for a voiceover home studio, preamps, and headphones.

Microphone Preamps for Home Recording

A digital interface is crucial when recording quality voice over using a computer. A digital interface is a form of technology that connects multiple pieces of equipment. It allows hardware devices to communicate with one another and accept audio and video in various forms. XLR microphones require a digital interface. Both are connected and used to convert the audio (your voice or music) into analog and into a form that can be heard and edited on the computer.

Can’t I Just Use a USB Microphone?

Yes, you can. It is much simpler to use and relatively cheaper to purchase. A USB mic is a microphone that connects straight into your computer, mobile device, or tablet, and the recording interface is built into the mic. No other equipment is required, and you can produce quality recordings. 

Why An XLR Microphone?

An XLR mic has a port on the bottom to connect to an XLR cable. That cable then connects to your digital interface and then to your computer. It’s a seamless approach that provides better quality sound. XLR microphones are more expensive to set up initially, that’s true. You will need a microphone, digital interface, cables, and a computer. You will also need to install drivers or a control panel for the interface. Digital interfaces allow you to record various types of audio, not just voice over. Most interfaces come with multiple ports so you can connect to other mics or instruments.

Voiceover Equipment Sound Quality

Using a digital interface and XLR mic, the sound quality you get is second to none. A USB Mic’s resolution is 16-bit 44.1/48 kHz sampling rate. Using an XLR mic with a digital interface allows for a resolution of 24-bit, and up to 192 kHz sampling rate. There are many digital interfaces on the market to choose from. Here is a list of two popular options:

  1. The Focusrite Scarlett Solo 3rd Gen USB Audio Interface is USD 190. This is the pre-amp I use every day and the most popular on the market. I started my career with this interface and haven’t yet upgraded because I’m still so happy with it. At a reasonable price point, this interface has terrific quality and performance. It contains a gain button and an additional input port for instruments.
  2. The Apollo Twin MK11 (Solo, Duo, Quad) is USD 1110. Serious professionals use this preamp because of its advanced features and heavy price tag, and they are considered the best audio interface for home studios. The solo, duo, and quad have varying levels of plugins, and the solo has the least, which is why independent voice actors favor it. 

Stick with a more reasonably priced preamp if you’re just starting in voiceover. If you decide to make voiceover a full-time career and want an upgrade, consider the Apollo Twin MK11.

Voiceover Equipment Headphones

I wear my headphones every day and all day when I record and edit my voice over work. I initially started my career using my Mac-built-in computer speakers. Still, a very successful sound engineer told me that I was doing a disservice to my work and that using headphones would make a vast difference in my product quality. That being said, I went straight to my local music store a purchased a good professional-grade pair.

Why not use my mobile phone headphones? Because they are of inferior quality and not capable of hearing all the beautiful nuances that your voice delivers. If you plan on making voice over a career, it’s crucial to invest in professional headphones and nothing in-ear. In-ear headphones offer inaccurate bass frequencies because of the size of the driver.

It’s essential to get an authentic portrayal of what your voice sounds like, and that can only be done with over-the-ear headphones. Ok, no problem at all. I can use my BeatsbyDre then, you might say. Uh, no! Noise-canceling headphones are also not advisable. They play extra noise through the headphones to counteract the noise outside, therefore not accurately portraying what you’re hearing. They are also costly for no reason. Pass! 🙂

Professional Headphone Options

Bluetooth headphones are also not advised as they could pick up interference with neighborhood sounds and traffic passing your home, especially if you live in an urban area. Over-the-ear headphones with a wire are the best choice, and here are two options:

  1. Audio-Technica M40 is USD 140. These are my headphones and have been going strong since I began my voiceover career. The sound is crisp, clean, comfortable, articulate, and perfect for long sessions. They get the job done and, thankfully very sturdy as I’ve dropped them too many times to remember.
  2. Sennheiser HD 630VB is USD 250. You can never go wrong by purchasing a Sennheiser product. These are amazing high-quality closed-back, over-the-ear headphones, and they provide clear, detailed sound and have a variable bass boost option.

Voiceover Equipment You Can Count On

Whichever digital preamp interface and studio headphones you decide to purchase will be determined by your budget and goals. You’ll never make a mistake if you take your time doing thorough research. Happy hunting.

Filed Under: Blog, Voice Over Business Tagged With: voiceover equipment

Choosing a Voiceover Microphone

April 4, 2022 by Leah Arscott

Because of advances in modern technology, many have started a rewarding career in this industry from home and have been very successful. Although it is relatively easy to start, a critical component to consider is the technology required to start this business. An essential tool in your technology toolbox would be a voiceover microphone. How else will you capture the sound of your instrument? One can possess a great voice, acting ability, and drive, but without a good microphone, a voiceover career is just a pipe dream. There are hundreds of mics on the market, so let’s explore how to decipher which one is right for you? 

Voiceover Microphone Options

USB Microphones are the newest technology of microphones. They were designed with a USB end to plug directly into your computer and begin recording. They are the most popular microphones because they are inexpensive, user-friendly, and available in most online stores. You can set it up quickly and easily. A couple of popular USB mics include:

  • Blue Microphone Snowball iCE
  • Blue Yeti USB Mic
  • Audio Technica AT 2020

Dynamic microphones are the top choice for radio broadcasters. They give DJs that big, boomy, warm radio sound which is helpful while speaking in a noisy DJ booth. As a popular choice for podcasters, musicians, and singers, they are great at recording instruments like the drums. They are usually reasonably priced and don’t require a power source. Popular dynamic pics are:

  • Shure SM58
  • Electro-Voice RE20
  • Sennheiser MD-441U

Large-diaphragm condenser microphones work well for voiceover recording and singing. It provides the best sound quality, tone, and resonance and makes your voice bigger, crisper, and beautiful. You can capture the depth of low-frequency sounds and the preferred choice of audio engineers.

  • Rode NT1
  • Sennheiser MK416
  • Neumann U87

How to Choose a Microphone?

What do you want to spend on a new mic? Overall, the best microphones are the large diaphragm condenser microphones, but they are usually the most expensive. Many newbie voice actors feel more comfortable choosing a USB mic to start, as they are unsure of success and fear investing too much into this new hobby or career. The USB mic can barely be distinguished from a condenser mic as technology evolves. 

If you are serious about making voiceover a career and want to invest in a good microphone, I recommend a condenser microphone if you have the budget. The sound is the best and will give you a competitive edge against top talent. Agents will likely take you more seriously if you have invested in a good mic and may be more likely to represent you.

Try Before You Buy

I would also definitely recommend doing a “mic shoot-out.” This means going to a local music store and asking the technician to set up 3-5 microphones for you to try in a quiet space. It may take some time to set up, but it is worth it. When I had to make my choice for a mic, I had three mic’s in a soundproof room set up and spent a good 40 minutes testing each one slowly. I tend to have a higher register voice and book a lot of work with specs for teenagers, millennials, and young adult voices. I wanted a mic to give me a slightly warmer, and deeper tone, and only by taking my time was I able to feel confident in my choice.

My Voiceover Microphone Choices

I chose the Rode NT1 as my first microphone. I did a lot of research and loved the sound it gave me. My clients asked me which mic I used, and most replied, “Oh, that’s a great mic!

Almost four years later into my career, I felt the need to upgrade my mic. My latest purchase was the Neumann TLM103. Neumann is probably the most respected microphone company, and the TLM103 is a trendy choice for voice actors. I rented this mic for one month from my local music store, and within 20 minutes, I knew it was the mic for me. It was incredibly crisp and clear and gave my voice a lot of colors. I will continue to use my Rode NT1 but will use it as part of my traveling rig.

Other Great Microphones

Two other very popular microphones for voice actors are the Sennheiser MK416 and Neumann U87. The MK416 is what they call a shot-gun mic. It is the microphone most used on film sets. It’s the one you see set up on a boom arm with the mic operator raising the boom arm right above the actors’ heads, following them around the set. This mic is very forgiving and can hide a lot of background noise. If your beginner booth isn’t the quietest, this will be a great choice.

The Neumann U87 is the Rolls Royce of microphones commonly seen in Hollywood studios. There is a lot of debate about whether it is worth the heavy $5,000 price tag, but those who do it are taken seriously as professional voice actors, and agencies are pleased if their talent owns one.

Your Best Voiceover Performance

The voiceover business is a unique, rewarding, and creative industry. There has never been a better time to begin a career in Voiceover. Everywhere we turn, we hear voices on television, radio, online, on the phone, and even when we pay at self-checkout at the grocery store.

Whichever mic you choose is ultimately up to your individual needs, goals, and desires. You can not go wrong with doing your research and not rushing into any major decisions. When you pick the right mic, you will be confident in your abilities and perform at your best potential.

Filed Under: Blog, Voice Over Business Tagged With: microphone, sound quality, voiceover equipment

How to Start a Voiceover Career

March 17, 2022 by Leah Arscott

You are curious about beginning a voiceover career, and you’ve read my other article on how to get started. You’ve reviewed the various business, artistic and technical skills, and you want to keep growing. So, what are the next steps to dive into this incredible world of creativity, hard work, and great payoff? 

Research a Voiceover Career

The next step is research! How much work is involved in voiceover? What do I need to know, how much will it cost, and what microphone and software should I use? These questions help determine when beginning a voiceover career.

Set aside at least 8-12 solid weeks of research. There are countless guides, tutorials, YouTube videos, and podcasts all about how to get started in VoiceOver. I like to refer those interested in the industry to www.gravyforthebrain.com, an excellent website about all things voice-over-related. Bill De Wees has a great Youtube channel all about the voiceover industry. There are hundreds more resources, but these were the two that helped me begin my career.

My Beginnings in Voiceover

I did four months of solid research about voiceover subscribing to various blogs YouTube channels, listening to podcasts, and reviewing websites about any and every question I could think of to get started. I hadn’t even scratched the surface. In my fourth year of voiceover, I finally feel that I have a good grasp of this industry, but it changes each month. It’s essential to keep researching and stay abreast of new technology and business resources.

Setting a Budget

I feel that I spent a reasonable length of time researching this subject. By doing so, I could purchase a fantastic beginner microphone, a good interface, good software, and an excellent pay-to-play website to find good quality auditions.

Once you’ve done your good solid research of this fantastic industry, the next step would be to prepare a budget for your start-up costs. Are you planning on purchasing the top industry microphone and computer equipment? Sure, that would be amazing after you’re successful, but it is much more realistic and cost-effective to start with mid-range equipment. Voiceover coaching, hardware, and marketing also come at a cost. Setting a budget can help you prepare for what’s ahead in setting up your new exciting business.

Creating Voiceover Career Goals

I did set a budget when beginning in voiceover. My research allowed me to make various lists for each item that would cost money. I had a price list for microphones, studio foam, an interface, pay and play websites, website costs, etc. My motto is to always start with mid-range equipment. I never go cheap, and I never go top of the line; in the middle is where I was comfortable. This way, I wouldn’t outgrow my equipment in a short amount of time. I used my equipment proudly each day for the last three and a half years. 

I have no regrets about my initial budget in voiceover. I purchased good quality professional sounding and performing equipment that gave me an initial competitive edge. I felt the need to sound professional right away to compete with the best in the biz. I invested about $1250 into my initial costs and promised myself that I would make it back within six weeks. Well, I was close, and I made it back within 8.

Coaching and Demos

There is commercial, in-show narration, corporate narration, animation, IVR, etc. I had no idea where I wanted to start. The most important advice I can give is to begin in commercial voiceover as they typically have the most significant budgets. From there, you can branch out into other genres.

I did start with coaching for Commercials. But this was about 1.5 years into my voiceover career. Initially, I began making my demos, posting them online with little to no experience of the proper techniques needed to perform commercial, narration, and animation work.

Voiceover Career Hindsight

I feel that if I were to do voiceover all over again, I would have begun coaching sooner than 1.5 years into my career. After trying and practicing on my own, I did pick up bad habits that I had to unlearn. I chose to wait to receive coaching because I knew it would be expensive, and I wanted to save up enough money to pay for a good coach. But, if you’re serious about this as a career, it’s essential to budget for a good professional and reputable coach right away to become proficient. That way, you are seen as credible to your clients.

From the outset of my career to just before receiving my professionally cut demo (1.5 years), I did relatively ok financially speaking each month for having voiceover as a side-hustle. The moment I received my professional Commercial demo and began to promote it and add it to my online profiles, my career completely changed within four weeks. My voiceover trajectory sky-rocketed, and I was able to turn this side-hustle into a profitable full-time job. It’s astonishing what a professionally cut demo can do. Again, your clients see you as credible, and it can completely change your business.

Looking Beyond Today

Where do I see my career in the future? Each year I set goals for myself and work hard daily to slowly but surely achieve them. I still learn new tactics, strategies, and skills each week, and the goal is to always keep up to date and never stop learning about this fantastic industry. I can honestly say it has changed my life, but it wasn’t easy. It comes with a lot of hard work. If you’re willing to put in the time and effort, I’m confident you can see it change yours.

Filed Under: Blog, Voiceover Career

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