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How to Direct a Voiceover Actor

August 22, 2022 by Leah Arscott

I have been a diverse millennial voice actor for about four years. I have worked on hundreds of voice-over projects with clients internationally and felt it would be a good idea to write an article on the exciting topic of how to direct a Voice-over Actor in a live-directed session. Most clients I work with are not professional voice-over casting directors. They may be casting directors for commercials or explainer videos, producers, or the owners of a small business. There is no perfect way to direct a voiceover actor as each is unique, but there are methods that can help make the job a little easier. 

There are many ways to hire a voice actor, such as contacting their agent, social media, email marketing, or online casting sites. By the time you hire them, you will have discussed terms, usage, and budget. It is time to decide how the job will be done. Will the actor do it, or will there be a live-directed session?

Preparation is Key to Getting Started

If I am to record the job on my own, I usually provide two or three takes, depending on the length of the script. Sometimes, if the script is just one sentence, I will provide 8-10 takes varying tone, pitch, and pace. If the client wants a live-directed session, we will discuss a time and date that works for all parties and a method to connect. My clients usually connect by Zoom, Google Meet, or Microsoft Teams. Source Connect is the more popular method with agents and prominent casting directors from New York, Los Angeles, and Toronto.

When I’m ready for a live session, I will print out my script in advance if it’s not a long script. Any script longer than two pages, I will read off the screen. But I like to read from print in advance and mark the page with areas where I would like to highlight the tone, pitch, or pace. My commercial voice-over coach Marc Cashman taught me this method, and by doing this in advance, I’ve noticed that it helps prevent a series of re-takes.

Direct a Voiceover Etiquette 

After reviewing the script and making my notes, I will log onto the platform that the client has desired and wait for the casting director, video producer, and clients to join in. I make it a rule to always log onto the session on time. Never be late; always be professional and wait quietly until the participants join. As each person begins to log in, I introduce myself to the group, thank them for hiring me and tell them I look forward to working with them. As they introduce themselves, I write their names and make it a point to use them as the session proceeds and concludes.

Direct a Voiceover in a Practice Run

The client will then usually go into the project and explain the purpose, the target market, and the audience, as well as the tone that they desire. My favourite sessions are the ones where they will send a reference video in advance so you can review the video and see and hear their preferred tone of voice. This technique helps voice actors tremendously. If no video is provided, I listen and write down keywords that they provide and make a mental picture of the tone they prefer. I write words like “Professional, Engaging, Warm, Hopeful” to find the right tone and keep it in mind. After we have the tone nailed down, they will either tell me how the session will run or ask me how I would like it to go. If I have the choice, I usually say that I prefer to read the script top to bottom once, and then they can give me their general notes. If the script is long, I will read one paragraph and ask for notes.

Take One and Feedback

Once they are ready for me to proceed, I ask them to please mute themselves in case any sounds on their end bleed through my recording, and I hit record on my end. I then say thank you, take a deep breath and begin. Once finished, I remain quiet, waiting for them to unmute themselves and provide feedback.

Too Many Cooks in the Demo Booth

It’s important to note that voice actors never really know how many will join the line for the session. In my experience, there has been a minimum of one client and a maximum of 10. I appreciate that clients take voice-over-directed sessions and have their co-workers join but have you ever heard the expression “There are too many cooks in the kitchen?” That applies when there are too many people on the line. Too many opinions can feel overwhelming. I’ve spoken to many voice actors about this subject, and we all agree that the first 1-7 full reads of the script are the best. After more than that, we begin to feel tired, sometimes exasperated, and our confidence wanes. 

When we begin, we are excited, energized, and confident. When too many are on the line giving their opinions, it can be a confidence killer, and we begin to wonder why they even hired us in the first place. I can’t say this always happens, but it has happened a few times throughout my career. Mostly, 2-5 takes of the entire script are enough for variety, and the client is happy. Once the client is content, they ask me how the file will be sent to them. I tell them I will bounce/save the file and can fire it off to them within minutes. 

Direct a Voiceover Actor with Gratitude

Live-directed sessions usually mean the client will receive the raw file with all takes and banter. I don’t touch or split up the file. If they ask me to, there is usually a small fee attached. Most clients prefer the raw file to pick and choose the takes they like. It usually takes me 5-10 minutes to bounce and send the client the file. I send it to them either by email or through the platform on which they hired me, and I always thank them for working with me.

The beauty of live-directed sessions is that the client’s chance to ask for revisions is slim. If a new session is required, then a fee is attached to that. The voice actor also really appreciates getting to speak to clients.

If you want to hire and direct a voiceover actor, remember that we love our job and want to make you happy. We thrive on enthusiasm and affirmation, so if you are happy, let the actor know. It will help build confidence, and that will show in the recording. Contact me if you have more questions about how to direct a voiceover actor!

Filed Under: Blog, Voiceover

How to Hire a Voice Actor

August 15, 2022 by Leah Arscott

The voice acting business has changed dramatically over the last 10-15 years, since its inception in the early 20th century.  As a diverse millennial voice actor, I have noticed some changes within the last four years. Today we will discuss how to hire a voice actor.

 

History of Hiring Voice Actors

In times past, voice actors were hired by their agents. They solely relied on their agents for their income. Voice actors were forced to live in urban centres close to the entertainment industry, Los Angeles and New York. They would seek out agents and receive a coveted position on their roster. They would then receive their auditions by phone, and the actor would come to the studio and use their booth to record their audition. If they were successful at booking the job, they would return to the studio, use the recording booth again, and hope that the job was a success.

How to Hire a Voice Actor in the Digital Age

Although the old process is still practiced, things have changed. The more popular method of sending and receiving voice over auditions is digital.

Voice Talent Agents

Agents are still a popular method for voice-over work and are heavily relied on. Yet, they receive the auditions usually by email, and the actor will then record their audition from their home studio and send it back by email. Once hired, a live-directed session will occur at home using Source-Connect, ipdtl, Phone Patch, Zoom, Microsoft Teams, or Skype. Another less popular method of recording is physically going into the studio and using their recording booth. It’s important to note that although it is free to get an agent, they take 10-20% off the top of the jobs you book as a commission fee.

Convenient Online Casting

Online Casting has become a trendy way to hire voice actors in the last 15 years. Casting sites such as mandy.com, voices.com, voice123.com, Voquent, Biddalgo, Fivver, and voiceovers.com lead the pack with the hiring. An actor can sign up with a free or paid membership to access hundreds of auditions and then choose the ones they want. They can scan through a list or receive private notifications when new auditions are added.

Online casting sites have become quite popular due to their market reach. Actors can audition to their heart’s content, depending on their membership level. Talent can create a profile listing experience and voice-over demos but cannot see job postings. Free membership allows you to receive private audition requests from casting directors and buyers.

For paid Premium memberships, you can create a profile, include your demos and experience, and view some job postings. The highest tier of paid memberships is Platinum and includes the same as the others, but you can see all the job postings available. Sometimes you will see the postings hours or even days before others. It’s of a widespread opinion that it’s best to get in your audition as soon as possible as most buyers don’t listen to more than the first 30 auditions. I don’t necessarily agree with that method or rush to get in an audition because the quality may suffer, but it is generally how most online casting sites work.

When filling out your profile, you must include keywords describing your voice, experience, and performing genres. The website’s algorithm will help you be seen if a buyer types in specific words in the search bar. It is important to note that to be successful, and you will have to pay (sometimes a hefty price) for an online casting membership. The most expensive membership is USD 4950. Some companies like voices.com will also charge you an annual fee of USD 600 plus 20+% off the jobs you book.

Marketing Used to Hire a Voice Actor

DIY marketing is a popular way to book voice-over work. Some top-rated talents don’t have an online casting site profile and rely solely on their marketing efforts. Most begin their careers on casting sites, have multiple agents, and do self-marketing. The ones who solely rely on their action have worked up to that point with a lot of time, patience, and effort. Success doesn’t come overnight with self-marketing, and it takes months, sometimes years, to build a client base and a method for finding new opportunities.

Using Social Media to Hire a Voice Actor

One famous voice actor said it took him three years of emailing a client before he hired him. Talent can be hired by email marketing and social media marketing, such as

  • Instagram
  • Facebook
  • LinkedIn
  • Pinterest
  • TikTok

All platforms have a direct message feature, and it’s not uncommon for a buyer to message you with more information regarding a project. I do consistent email marketing, Linkedin messaging, the occasional Instagram message, and even cold and warm calls. I don’t prefer one platform over another, but the key is remaining consistent. 

Voice Actor Websites

A voice actors website is another means of self-marketing. I use a voice-over targeted SEO company to help me list keywords on my website that clients may Google, so I appear when they search. I have a contact page on my site that clients fill out and instantly send their requests.

Industry Referrals

Referrals are also a popular way to hire a voice actor. Most of my clients are extremely busy with their projects and don’t have time to sift through online casting sites and agents. They want someone professional, fast, and accurate, so they reach out to their industry contacts for referrals. I keep a running list of voice actors who speak various languages. I can provide names immediately if anyone reaches out to me looking for a French Canadian voice actor.

With modern agents, casting sites, self-marketing, and referrals, there are many effective ways to hire voice actors. All you have to do is choose one and get started. If you’d like to collaborate on your next project, don’t hesitate to contact me.

Filed Under: Blog, Voiceover

Generations of Voice Over Talent

July 13, 2022 by Leah Arscott

We are living in an exciting time in history, with multiple generations living and working together. There may be some challenges to so many generations working closely side-by-side, but it has significant benefits. Understanding each generation’s characteristics and expectations can help us communicate efficiently and work together harmoniously. This week we will dive into the different generations of voice over talent working together and how they fit into the wacky world of voice over.

The Silents or Traditionalists (1925-1946)

This group of individuals was born in the beautiful era of the “Roaring Twenties” and World War 2. Think Elvis Presley, John Lennon, Natalie Wood, and Morgan Freeman. The age of radio, milkmen, and rituals of home-cooked meals. They grew up with very little technology and had to overcome adverse circumstances such as poverty and poor healthcare. They are known to be thrifty, respectful, and loyal. It was the early days of voiceover, created by visionaries such as Walt Disney. Mickey Mouse in 1928s Steamboat Willie used a voice-over recorded in 1900.

This group of voice actors was most likely living in large urban centres such as Los Angeles, Chicago, New York, etc., where the acting and voice acting studios were located. They may have wanted to pursue a career in on-camera acting but stumbled into voice acting as the demand for the service grew. The Silents would have voiced many projects, including the first cartoons and television advertisements. They would have also voiced for radio dramas and live-sporting events. Some may be, but this is generally unlikely. This generation is well into their 80s and 90s and may still dabble slightly in VO performing senior citizen roles. Most are likely enjoying their retirement and time with friends and family.

Generations of Voice Over Among Baby Boomers (1946-1964)

Baby Boomers encompass a large number of individuals today. They were born post-WWII when soldiers had returned home ready to settle down and start a family. This is the era of black and white televisions, TV dinners, and hippie culture. Think Michael Jackson, Oprah Winfrey, George Clooney, and Madonna. Baby Boomers are known to be workaholics, dedicated to quality over quantity, goal-oriented, and love the idea of stability. I’ve personally found this generation particularly interesting and transitional. The face of the world really changed during this period and is reflected in what we see today.

This group of voice actors lived in large urban city centres where work was available. At this time, more agents appeared in the voice over world, representing talent and booking good-paying jobs. Although radio-drama series were phasing out by the mid-1950s, voice actors were booking more work for television and cartoons. Audiobooks were also gaining popularity in the 1970s, providing another stream of income for Baby Boomers as well as new lines of work such as movie trailers and documentaries.

There is still quite a demand for the Baby Boomer voice. Think commercials for financial institutions, comfort food, and legal advice. The Baby Boomer voice projects warmth, compassion, and a feeling of security. They also voice quite a bit of e-learning and corporate narration. The voice style popular during the Baby-boomer period tends to have a hard-sell approach, which is less prevalent but still requested now and again. The Baby Boomers are phasing out slowly, but as long as they can speak, the work will come.

Generation X (1964 – 1981)

Generation X is the largest group of voice actors today, although they are called the forgotten generation squeezed between Boomers and Millennials. The evolution of technology shapes them. Think Elon Musk, John Krasinski, Tiger Woods, Julia Roberts, Leonardo DiCaprio. Gen X’ers are more educated than previous generations, self-reliant, individualistic, and hardworking. Their infamy comes from the Brat Pack, MTV, and the ’80s.

Generation X is still going strong with voice-over gigs for television and digital commercials, in-show narration, IVR, and audiobooks. They are the popular choice for anything corporate related such as e-learning and corporate narration, a big piece of the voiceover industry. This generation has begun to bring in diverse voice actors from different cultures and ethnicities. The Generation X voice is kind, engaging, and professional, yet doesn’t come across as bossy or parental.

The majority of the castings are Middle-Aged talent (35-54). Gen X’ers may have voice agents but are savvy enough to find their own business through cold-calling, networking events, online casting sites, and referrals. Persistent and consistent are good descriptors of the Gen-X voice.

Generations of Voice Over Among Millennials or Gen Y (1982-1995)

Millennials, also called Gen Y, are the children of the Baby Boomers and were born between 1982-1995. They grew during the digital age and are great with technology, creative, open-minded, and curious. Think Scarlett Johansson, Emma Stone, Drake, Lebron James, and Mark Zuckerberg. They are skilled in various industries and love to bounce from job to job, try new experiences, and care for their health.

Millennials are pretty busy in the voice-over world. You’ll hear them often on national TV commercials. They’re usually the ones with raspy voices and sound very relaxed. They don’t like the hard-sell commercial tone and favor sounding like the guy or gal next door. There is a high demand for this diverse generation, especially anyone with various accents and ethnicities. Millennials provide voice work for audiobooks, narration, and Artificial Intelligence. They value freedom and creativity, so living in large urban centres to find work isn’t for them.

Millennials are just getting into the thick of their careers and still have a long way to go before retirement, so they are open to new and creative methods to increase their income. They may have an agent or two, but most of their business is generated through their marketing efforts, website, or online casting sites. They want to take control of their income and are very open to the next hot thing in VO.

Generation Z (1995-2010)

Generation Z, or Zoomers as they are sometimes called, are children born after 1995. They are incredibly familiar with technology and masters of the IoT (the internet of things). They grew up with lots of screen time and all the modern conveniences of life and were encouraged by their parents to jump into the unknown. They are socially conscious, risk-takers and entrepreneurs. Famous Zoomers include Greta Thunberg, Billie Eilish, Kylie Jenner, and Max Verstappen. Zoomers hate to be sold to and prefer purchasing items from social media channels such as Tik Tok, Instagram, or YouTube.

Like Millennials, they appreciate the flexibility of finding work from many sources. They love to find voice work online, anywhere, and anytime. They prefer online contact rather than communicating on the phone, and instead of being open to trying new things, they’re the ones creating them. Gen Z talent books a lot of animation work and commercial and audiobooks. They are Digital Nomads who are just starting their careers and appreciate the flexible lifestyle available today. 

Generations of Voice Over For Every Project

It is clear to see that there is a voice for everyone today. One generation isn’t better than another, and they all combine to create a wonderful community that supports and encourages one another. The industry is constantly changing, and limitless opportunities are ahead for the next generations of voice over.

Filed Under: Blog, Voiceover

What Does Music and Voiceover Have in Common?

July 5, 2022 by Leah Arscott

I had to dedicate this week’s blog to music and voiceover! June was a big month for music internationally, and I spent extensive time traveling through Europe a few years back. During the time I spent in France, I discovered a La Fete de la Musique, which is a day dedicated to all things music.

June is Black Music Appreciation month internationally, June 25th is International Beatles day and June 24th of this year was also the release date of the new Elvis movie. By the way, have you seen it yet? What were your thoughts? I thought it was very entertaining.

Similarities Between Music and Voiceover

Since June is a big month for music, I wanted to discuss the similarity that music has to voiceover. You may think – how can music and voiceover have similarities as one is speaking and one is singing or playing an instrument. But, speaking or voice-over does have a musical quality, and they both have Timing, Tone, and Pitch in common.

As someone who has played instruments, sang, and danced for many years, I can hear the similarities in timing, tone, and pitch in voice-over. Having those elements as a foundation helps me with each voice-over I perform for my clients. This week, we will discuss these elements more in detail.

How Does Pitch Relate to Both?

Pitch relates to the frequency of sound and vibration. Is the sound low, or is it high? A high frequency is a high pitch, and a low frequency is a low pitch. In an orchestra, for example, an oboe, which is a woodwind instrument, is used to tune the entire orchestra to a specific pitch, so all the instruments sound in unison. Some people, rare as it may be, have absolute or perfect pitch. It’s the rare ability to identify or re-create a given musical note without a reference. Only a few musical artists have this ability, for example, Mariah Carey, Whitney Houston, Ella Fitzgerald, Charlie Puth, and Frank Sinatra, to name a few.

Understanding pitch helps us speak a language correctly as it aids in how we respond to what is being said. You’ll notice that when someone asks a question, they may raise their pitch at the end of a sentence. That helps us to know what is being said. If the pitch is low when ending a sentence, it is usually perceived as a statement.

Adjusting Pitch

When I perform voice over, I often raise or lower my pitch depending on the copy. If the spot I’m working on requires a softer feel, perhaps playing a character speaking to a child or loved one, I will lower my pitch slightly and speak more introspectively. If the spot is a quick-moving sales commercial, I may raise my pitch and annunciate more to show a call to action and demand attention. If I’m playing a child or teenager in a spot, I will certainly raise my pitch to sound younger, and if I’m playing a middle-aged to a senior character, I will lower my pitch accordingly to sound older.

For an audition with a large casting, I may do the opposite of what you may think to do to stand out amongst the hundreds of others auditioning. Having an understanding of pitch and being able to adjust on the fly will help you to get into character quickly and hopefully win the job.

How Tone Plays a Part in Music and Voiceover

The definition of tone is a musical or vocal sound regarding its pitch, quality, and strength. Tone refers to the color of the sound you are speaking or playing. Many instruments can sound drastically different depending on the tone you are playing. A guitar can sound soft, melodic, and romantic. On the other hand, it could sound loud, moody, and dark, depending on how you play. Also, a piano can sound muffled, soft, and sad, and then in an instant, it can sound bright, excited, and brash!

Musical artists also have a variety of tones. Elvis Presley, Isaac Hayes, and Barry White possess a deep, melodic, warm, velvety tone of voice, which fit in perfectly for their R&B, Funk, and Gospel sounds. Other artists such as Macy Gray, Bon Jovi, and Steven Tyler have raspy voices that fit perfectly for the rock genre they are known for. One artist may also change their tone depending on the genre of the song they are singing. Paul Mc Cartney, for example, was an excellent example of this. He could sing a sweet melodic song like Blackbird, which is on their famous White Album, then change his tone entirely in an instant and sound like a blues-rocker, for example, on the renowned track Darlin’ on their iconic last album Abbey Road. Freddie Mercury and Michael Jackson also gave great examples of fantastic tone in their music, adjusting from song to song. One technique isn’t better than another, but the ability to adapt quickly can make you book the job.

Adjusting Tone

The same can be done with your voice in voice-over. In my voice-over jobs, I perform a variety of tones daily. One spot could ask for me to speak with an authoritative tone, which means using downward inflections, adjusting my tempo, and pausing. At the same time, the next spot could ask me to speak in a cheerful tone, perhaps playing a younger character or a commercial for a fun new product. It would mean using more inflections, going upward in the middle and end of sentences, and adjusting my tempo with a quicker pace and less pausing.

Music, Voiceover, and Timing

Timing is the choice, judgment, or control of when something should be done. A command of timing is crucial in music; otherwise, a song would never start or finish on time. Also, an orchestra would never stay in line with the sheet music, and you would most likely have no idea what song they are playing.

Many musical artists are known for their excellent timing. When watching a band on stage, you’ll see how they always look back and forth at each other to ensure they are moving simultaneously and staying together. One example of this is recently I watched The Beatles – Get Back series on Disney+. At the end of the documentary, you’ll see the band do an impromptu performance on top of the Abbey Road studios rooftop on a cold January afternoon in 1969. Though cold and playing relatively new music, they knocked it out of the park. Very often, you’ll see both John Lennon and Paul Mc Cartney look over at each other constantly to ensure they keep in time and play together. Also, thank goodness for Ringo playing the drums at the perfect time to ensure all band members are in-sync. Another great example of timing is rap artists. They must ensure their many lyrics fit in with the music that backs their vocals. If they didn’t keep in time, their music would sound chaotic, manic, and frenzied.

Practicing is Crucial in Music and Voiceover

The same is very important in voice-over. Often, I will receive a timeframe of how long my voiceover should be, usually 30 seconds or 1 minute, and I have to have an excellent inner stopwatch to ensure I hit the mark each time. Also, sometimes up to 10 people are on the call during live-directed sessions, so having an excellent inner clock is crucial to keep the clients happy. Sometimes they will also play music in the background, and you will have to speak over the music. It can sometimes be distracting, but you must ensure you finish your voice-over right as that last note plays. This can be tricky, but with good practice, it’s possible to nail it each time. 

Practice recording voiceovers with music underneath, trying to hit specific phrases on or off the beat. If a part of the song speeds up, brighten your voice, try smiling, and drop your voice if there is a sad moment. Play with pitch and tone, and that will help your overall timing. So, is voice-over musical? It is. You may not be singing in your voiceovers, but you are essential because you are constantly playing with pitch, tone, and timing, and understanding those in detail will make your clients happy and satisfied and help you book that job!

Filed Under: Blog, Voiceover Career

How to Be Diverse and Stand Out in the Voice-over industry

June 14, 2022 by Leah Arscott

It has never been a better time to get into voice acting. With the plethora of streaming channels, digital content, diverse genres, and the ability to work from home, it’s never been easier and more accessible to make this a career. At the same time, there has been a considerable influx of excited, young, fresh voices getting into the voice over industry. The pandemic alone saw many new faces and on-camera actors starting with their skill, talent, clients, and social media followers. The competition makes it more difficult for existing voice actors to stay ahead of the curve. With voice acting becoming a popular industry for Millennials and Gen Xs to join, is it possible to stand out in a sea of talent?

Authenticity is Key

First and foremost, it is so important and challenging to just be yourself! What does that mean? Why does that matter? In the old days of voice over, many saw similar types of people – age-wise, skills-wise, gender-wise, and race-wise in the voice over world. Nowadays, it is so important to be yourself. You matter! You are unique and diverse and have an exciting story to share. Only you have walked in your shoes, which is what the creative directors and producers want to see. Be authentic in ways that many do not dare. It has never been more popular than ever to be yourself! There is no “voice-over” mold that directors want to see. Just turn on the TV, and you’ll hear a variety of diverse voice actors from different walks of life. The more distinctive and eccentric you are, the better. That means people will listen to you, and people will take note.

Languages & Accents Used in the Voice Over Industry

Having a unique set of skills is one way to set you apart from other voice actors. Can you speak another language? Are you of a specific nationality? Are you BIPOC? Can you speak with a particular accent? Can you translate the copy into another language? The ability to perform multiple languages and accents will set you above so many other voice actors today, and directors, agents, and producers will love that. Do you think they would rather have one actor who can speak one way or an actor who can speak ten different ways? I think you can answer that one.

I am a native North American accented English speaker. I can speak beginner French and Spanish, yet, I speak with an accent. One of my biggest regrets is not following up on my French and Spanish lessons from a younger age because I know if I kept it up, it would be a difference in my business.  My husband speaks fluent Spanish, and I have been able to refer work to him. Within the last six months, I have noticed that he has been booking quite a few more appointments, which tells me there is a definite need for more voices. I do have the ability to perform accents if need be. I will not audition for a role if they ask for a native speaker of a specific language, but if they don’t, and the part is small, I may audition in the accent that I feel I can relate to.

Technical Skills You Need to Succeed 

How are your technical skills? Are you able to edit your voice over files, are you trained in engineering?  Can you mix and master? Nowadays, I have seen call-outs for actors who can add music under their files and provide their editing and mixing. It takes weeks, months, and years to perfect the art of editing. Suppose you have a background or a knack for technical skills such as setting up equipment, editing, trouble-shooting, and mixing and mastering. In that case, that will set you apart from most voice actors and make you a very diverse and coveted talent.

You can also enroll in technical classes online or in-class. I use Logic Pro X and am part of a few Facebook groups to assist me when troubleshooting. I would love to take formal Log Pro X classes and use tricks and hacks that can improve my recordings.

Acting & Singing in the Voice Over Industry

A big plus to being a diverse voice over talent is the ability to act and sing. Are you someone with those skills? Then agents may be looking for you! This is the industry of Voice Acting – full-stop. Some talent call themselves voice over artists, and I’m guilty of having business cards with that title, but that doesn’t do our profession justice. We are actors, plain and simple. Some actors are on-camera; we are off-camera. Every role we play requires thinking, “Who are you, where are we, and who are you speaking to?” 

Those are the same techniques that an on-camera think as they put themselves into their character. Let your clients know if you have been professionally trained in the Stanislavski, Method Acting, Meisner, Chekov, or Practical Aesthetics method of acting. They will give you an edge over many other talents out there that you can jump into character and most likely cover various characters and genres as required.

I took drama in high school and was grateful to win awards for my efforts. I enrolled in Improv classes, and this summer, I am enrolled in official acting classes via zoom, and I know that will be a difference in my acting ability.

It’s also important to note that age doesn’t matter in voice acting, and there is a need for all voices from 3 years old to over 100 years old. Don’t let your age or experience stop you from moving forward.

Career Experience

Your previous work experience is valuable when becoming a voice actor. You can find a skill in voice over. Do you know how to prepare an invoice? Can you make cold calls? Do you have customer service experience? Do you have graphic design experience? 

When I started my career, I felt I had no experience, but slowly I began to notice my 15+ years of business experience was very important when running my business. These business skills are almost more important than any other skill mentioned in this article.

Join the Incredible Voice Over Industry!

By reviewing languages and accents, technical skills, acting and singing, and career experience, I’m confident there are many ways for you to stand out as a voice actor. What is your unique value proposition? What do you bring to the table? Take your time to brainstorm what that may be and use that to your advantage!

Filed Under: Blog, Voiceover Career

Voiceover Equipment #4 – MAC vs PC and Studio Sound Insulation

May 27, 2022 by Leah Arscott

To be successful at voice acting, you will require specific hardware and software to be competitive. The last article in our series on voiceover technology and hardware will discuss additional equipment to help you achieve your goals. Today we will discuss voiceover technology such as computers, specific software, and audio panels.

Computer Preferences MAC or PC?

When deciding on which computer to purchase for your voice over career, there are certain factors to consider. Essential technology such as computer, memory, storage, processor, graphics, anti-virus, and internet are necessary. When you do a Google search, you’ll find hundreds of comparison articles on which computer is best, MAC or PC?

Ultimately, the decision is up to you! I own a MAC and a PC. My husband, who has a knack for technology, suggested I use his MAC. He’s always considered MACs better for creative tasks, and I didn’t do too much research. I trust him and have been happy using a MAC throughout my career.

In my previous work in the business world, I used a PC, and transferring over to a MAC felt very strange initially. I wasn’t used to the drag and drop features synonymous with a MAC. I prefer point and click, and to be honest, I still do, but MAC does have many other diverse features that many and myself appreciate.

Benefits of Voiceover Technology

Although I used a PC in the business world and all of my other co-workers, I always recall the Graphic Designers in each department using MACs. It stood out to me as I walked the hallways and saw the massive monitors, which always looked so stylish and unique.

If you are an Apple user, you will prefer using a MAC as all the Apple products work seamlessly together, and they were designed that way. MAC computers are known to have high-powered graphics, are visually appealing, and there are specific apps designed to be used only on a MAC. They also have a far lower rate of computer viruses.

PCs have come a long way to compete with MAC’s reputation of being King in the creative professional world. PCs are usually more cost-effective, diverse, and easily upgraded and there tend to be more software options created.

For me, after being in the creative world for a reasonable length of time now, I’m pretty comfortable with my MAC. However, I will say I still prefer the point and click feature that PCs offer. At times, remembering how to use the command/control/option/shift/fn buttons on a MAC can be frustrating, and I still find myself googling which command to use to solve a simple task. For now, I will press on and appreciate all the various features that a MAC has to offer.

Erase the Noise With Isotope RX

In the previous article, I discussed voice over software and the difference between DAWs (Digital Audio Workstations.) Another vital piece of software to consider for Voice over is Isotope RX, an audio restoration plug-in used to repair noisy or damaged audio. This software is an additional purchase that is not part of any particular DAW but can be used alone or as a plug-in for Mac and Windows-based DAWs and NLEs.

This software is a sound engineer’s best friend, and I would never be able to create professional voiceover without it. It’s used for recording, mastering, and audio-for-video post-processing, and its main features boost the ability to analyze sound. The thermal-spectrum view allows you to see all details and nuances in the waveform.

I use their De-Click option daily to remove those pesky mouth clicks, sounds, and pops that occur naturally. I have the plug-in connected to Logic Pro X so as I record, it removes all the sounds, and I can instantly deliver clean, fresh, de-breathed audio.

Client Requests for Voiceover Technology

Sometimes clients will ask me for particular audio requirements. Below is an example of a recent request from a client:

  • 48kHz, 24bit, mono, PCM wav
  • background noise<-65dB
  • SNR>40dB
  • RT60≤200ms
  • No plosives, No clipping
  • 2-3 second pause in between each line (no file splitting)
  • Maintain consistency and quality throughout all recordings

By using Izotope RX, I was able to achieve their desired sound. There are countless blogs and YouTube videos online to help you set up the tool to your desired liking. There are various Izotope Packages you can purchase on their website. Take your time doing your research to see which is best for you! I have the Izotope RX7 version.

Insulating Your Voiceover Studio

There are many ways to reduce reverberation and echoes in your studio or booth. We have previously mentioned the option of purchasing pre-made booths, but some prefer to work in a small space within their homes, such as the closet. Working in a closet is the most economical way to get started in voice over. You can fill the space with moving blankets, sound foam, or audio panels to help reduce the noise. Let’s review specific studio foam and studio panels as a method to reduce noise.

Studio Foam 

Studio foam is a popular option to help reduce echo and reverberation, aiding in good clean audio. The price range can vary, from around USD 25 for a 12”x 12” 12 pack to over USD 400 for 12. Although studio foam is the less aesthetically pleasing of the two options, it serves a huge function. It aids in providing clean audio. It is also very customizable and flexible to work with. It can really help fill in all the gaps on the wall that produce echo sounds, which allows sounds to bleed through the walls. The goal of the recording space is to make the room sound “dead,” and studio foam can help you get there.

My only hang-up with studio foam is the lack of available colours. They seem to come in black, black, and more black. If you’re lucky, you might be able to find bright hues like cobalt blue, red, or teal. I do wish they had more options in white or lighter tones as I prefer to work in a bright space rather than a tomb 🙂

Voiceover Studio Panels

Studio panels are the large frame sound absorption panels in large music and production studios, movie theatres, and home theatres. They are usually more aesthetically pleasing than the studio foam mentioned before, yet, they don’t absorb sound and reduce reverberation. This is because they usually come in large-sized panels that are difficult to shape around corners and edges and are pretty expensive, which reduces the number of panels many want to purchase. 

I would consider using large 2’x4’ studio panels in my general office space to aid in sound reduction. When the washing machine or air conditioner is on, or a noisy truck goes by, it can get loud. Every bit of noise affects my primary recording space, so I would choose studio foam in a heartbeat.

To purchase either studio foam or studio panels, you can find them at your local music or sound store or online at Amazon, Vocalbooth2Go, or the coveted place for all things related to voiceover technology and equipment sweetwater.com. 

Filed Under: Blog, Voice Over Business

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